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<channel>
	<title>Laresa Kosloff</title>
	<link>https://laresakosloff.com</link>
	<description>Laresa Kosloff</description>
	<pubDate>Wed, 13 Nov 2024 23:11:32 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://laresakosloff.com/Home-Image-Scroll</link>

		<pubDate>Fri, 15 Jan 2021 00:40:25 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

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		<description>&#60;img width="2160" height="1440" width_o="2160" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1054b1c6504e928a87f6f18200201ffb126823d12fa8e4783f94c4ec97711703/Coral-Futures-LINDEN-20251114_DSC1493-edit.jpg" data-mid="240870999" border="0"  src="https://freight.cargo.site/w/1000/i/1054b1c6504e928a87f6f18200201ffb126823d12fa8e4783f94c4ec97711703/Coral-Futures-LINDEN-20251114_DSC1493-edit.jpg" /&#62;
The BleachingCORAL FUTURES, Linden New Art gallery, curated by Hamish Sawyer, 2025.Photo credit: Simon Strong
&#60;img width="2997" height="2000" width_o="2997" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3a0764d2b8b56b53248a47825f99d9cb6599b9c5e95ace591b0abc4bf15a01e2/Guy-Grabowsky_e-flux-Screening-Room_Image-Documentation_2024_9.jpg" data-mid="219193520" border="0"  src="https://freight.cargo.site/w/1000/i/3a0764d2b8b56b53248a47825f99d9cb6599b9c5e95ace591b0abc4bf15a01e2/Guy-Grabowsky_e-flux-Screening-Room_Image-Documentation_2024_9.jpg" /&#62;
The BleachingFilm premiere at e-flux Screening Room, New York, as part of View from a Body curated by Cate Consandine, 2024.Photo credit: Guy Grabowski

&#60;img width="2500" height="1400" width_o="2500" height_o="1400" data-src="https://freight.cargo.site/t/original/i/27753abf64e2366a53cc0820454eb0cd84ce1218e2b52037e86d3b26193c9e03/25-5_Buxton_23.jpg" data-mid="214893453" border="0"  src="https://freight.cargo.site/w/1000/i/27753abf64e2366a53cc0820454eb0cd84ce1218e2b52037e86d3b26193c9e03/25-5_Buxton_23.jpg" /&#62;












The same crowd never gathers twiceBuxton Contemporary, curated by Annika Aitken, 2024.
Projected video on suspended screens, double-sided, silent.Photo credit: Christian Capurro

&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/e13d01eeb83f091858070e23a05a0e62608743151fb5f76bce38bb14d53536d5/Photo2024-Benalla.jpg" data-mid="206290172" border="0"  src="https://freight.cargo.site/w/1000/i/e13d01eeb83f091858070e23a05a0e62608743151fb5f76bce38bb14d53536d5/Photo2024-Benalla.jpg" /&#62;

New Futures™Benalla Art Gallery as part of PHOTO 2024, curated by Eric Nash.Photo credit: Benalla Art Gallery

					
				
			
		
	


&#60;img width="3359" height="2240" width_o="3359" height_o="2240" data-src="https://freight.cargo.site/t/original/i/1b22dd696e2b0acf8ec763246a67fb174e0c5f8eed474c3318f25c3127a32d10/_AC_4624.jpg" data-mid="115654166" border="0"  src="https://freight.cargo.site/w/1000/i/1b22dd696e2b0acf8ec763246a67fb174e0c5f8eed474c3318f25c3127a32d10/_AC_4624.jpg" /&#62;
New Futures™Video projection, Sutton gallery, Melbourne 2021Photo credit: Andrew Curtis



&#60;img width="2500" height="1642" width_o="2500" height_o="1642" data-src="https://freight.cargo.site/t/original/i/e576722e0190e2ae195d9da16b850e6b466baabf37f36f5d10e11c9a0733c023/2-3_Buxton_TBL_20.jpg" data-mid="106426218" border="0"  src="https://freight.cargo.site/w/1000/i/e576722e0190e2ae195d9da16b850e6b466baabf37f36f5d10e11c9a0733c023/2-3_Buxton_TBL_20.jpg" /&#62;

Radical Acts&#38;nbsp;
This brittle light: Light Source commissions 2020-2021, Buxton Contemporary, curated by Melissa Keys.
Photo credit: Christian Capurro


&#60;img width="2500" height="1579" width_o="2500" height_o="1579" data-src="https://freight.cargo.site/t/original/i/36c5e7123871c4e18e8d62fd39be5395e3722ac7b99614bbbb7d28eb134de04b/2-3_Buxton_TBL_21.jpg" data-mid="106424850" border="0"  src="https://freight.cargo.site/w/1000/i/36c5e7123871c4e18e8d62fd39be5395e3722ac7b99614bbbb7d28eb134de04b/2-3_Buxton_TBL_21.jpg" /&#62;


Radical Acts 
This brittle light: Light Source commissions 2020-2021, Buxton Contemporary, curated by Melissa Keys.
Photo credit: Christian Capurro




&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b1bddcf874ae0fc179e2663f3772cb458a342fa254fe42471deea85e5b5b8868/thumbnail_La-Perruque.jpg" data-mid="100095008" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/b1bddcf874ae0fc179e2663f3772cb458a342fa254fe42471deea85e5b5b8868/thumbnail_La-Perruque.jpg" /&#62;












La Perruque


Guirguis New Art Prize (winner), Ballarat Art Gallery 2019.Photo credit: Ben Cox














&#60;img width="4032" height="2740" width_o="4032" height_o="2740" data-src="https://freight.cargo.site/t/original/i/e0e8fdf6af4f1bf72ee230471ab3d2ec927002a793d9f1f75105826e6e013cd0/Head-case-in-point.jpg" data-mid="100193857" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/e0e8fdf6af4f1bf72ee230471ab3d2ec927002a793d9f1f75105826e6e013cd0/Head-case-in-point.jpg" /&#62;

Head case in point


Six Moments in Kingston, St Kilda Football club, Moorabbin. Curated by David Cross and Cameron Bishop, 2019.
Looped video on LCD monitor.






&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/d7d0d9b2a611de08c27e85fec6dc0932d301cd3e02a3bbc4722d67d9da504b76/Eternal-situation.jpg" data-mid="98528650" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/d7d0d9b2a611de08c27e85fec6dc0932d301cd3e02a3bbc4722d67d9da504b76/Eternal-situation.jpg" /&#62;
Eternal situation
The Space Between Us: Anne Landa Award for Video and New Media,&#38;nbsp;Art Gallery of NSW, curated by Charlotte Day, 2013.











&#60;img width="6144" height="4088" width_o="6144" height_o="4088" data-src="https://freight.cargo.site/t/original/i/9c6a01f7530497385c95c809e56a9791df40dd22cd9e38fd676af2bb361e99f6/CAST-3.jpg" data-mid="100296671" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/9c6a01f7530497385c95c809e56a9791df40dd22cd9e38fd676af2bb361e99f6/CAST-3.jpg" /&#62;

CAST
22 framed images, rotating sculpture on a motorized plinth.&#38;nbsp;
Monash University Museum of Art 2013.

Photo Credit: John Brash



&#60;img width="6063" height="3975" width_o="6063" height_o="3975" data-src="https://freight.cargo.site/t/original/i/bc79b4e39786b41377c9af8ab081b876ed37745ad88269d261eca3e97ccea6d9/CAST-4.jpg" data-mid="100296653" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/bc79b4e39786b41377c9af8ab081b876ed37745ad88269d261eca3e97ccea6d9/CAST-4.jpg" /&#62;

CASTRotating sculpture on a motorized plinth.
Photo Credit: John Brash




&#60;img width="4386" height="3072" width_o="4386" height_o="3072" data-src="https://freight.cargo.site/t/original/i/f92626a58178110f376335b0198de71c94889785c3a969e6dc7f62a410ad3a88/Office-skate.JPG" data-mid="98528656" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/f92626a58178110f376335b0198de71c94889785c3a969e6dc7f62a410ad3a88/Office-skate.JPG" /&#62;
Office skateLarge scale outdoor projection, Melbourne City square. Curated by Juliana Engberg for ACCA, 2011.

Photo Credit: John Brash&#38;nbsp;







&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/879076e2b771823d98269705425e6796945e7a3a5f80c600817cf9811d35ed37/Auckland-triennial-2.jpg" data-mid="98528645" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/879076e2b771823d98269705425e6796945e7a3a5f80c600817cf9811d35ed37/Auckland-triennial-2.jpg" /&#62;
&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/a70e86d6a17ecc1d1097d1023b4b9bac84a9c324583e51951b013c960924e033/Auckland-triennial-3.jpg" data-mid="98528646" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/a70e86d6a17ecc1d1097d1023b4b9bac84a9c324583e51951b013c960924e033/Auckland-triennial-3.jpg" /&#62;
&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/1457e12527a5c8a8c6df4155f4f54278db91cf94a46be25806132a660021ba13/Auckland-Triennial-1.jpg" data-mid="98528644" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/1457e12527a5c8a8c6df4155f4f54278db91cf94a46be25806132a660021ba13/Auckland-Triennial-1.jpg" /&#62;












Last Ride in a Hot Air Balloon: The 4th Auckland Triennial
 Artspace Aotearoa, curated by Natasha Conland, 2010. 
Video projected onto acrylic screens and a freestanding wall.
Photo Credit: Jennifer French




&#60;img width="3222" height="1381" width_o="3222" height_o="1381" data-src="https://freight.cargo.site/t/original/i/912e635b49052b1ab168dacb3cf0bcc20c3d4e455fca5f9dbc11c15a3c3c9d93/Laresa-Kosloff-SVR.jpg" data-mid="98529114" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/912e635b49052b1ab168dacb3cf0bcc20c3d4e455fca5f9dbc11c15a3c3c9d93/Laresa-Kosloff-SVR.jpg" /&#62;

Still Vast Reserves TwoGertrude Contemporary, curated by Emily Cormack, Alexie Glass-Kantor &#38;amp; Chris Sharp, 2010.&#38;nbsp;
Rear video projection, acrylic screen imbedded into the gallery wall, 600mm x 400mm.
Photo Credit: Christian Capurro&#38;nbsp;
 






&#60;img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/e071ddf3ba8e0cd83d011d4ea989d38a5a66ed48a03c707ea5a780e0ef47482b/Sensible-world.jpg" data-mid="98528616" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e071ddf3ba8e0cd83d011d4ea989d38a5a66ed48a03c707ea5a780e0ef47482b/Sensible-world.jpg" /&#62;











Sensible WorldArtspace, Sydney, curated by Reuben Keehan 2009.
Video projected onto suspended acrylic screens, 1200mm x 900mmPhoto Credit: Silversalt&#38;nbsp;







&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/b3e4d8ce12740a6ca282de08503aa77a91d21661367ad4a11880b6197c73b0bd/Porsche-sutton.jpg" data-mid="98528617" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b3e4d8ce12740a6ca282de08503aa77a91d21661367ad4a11880b6197c73b0bd/Porsche-sutton.jpg" /&#62;
New World Records 


Curated by Nick Mangan and Helen Johnson, Sutton Gallery, Melbourne 2009.
Rear projection onto suspended acrylic screen, 1000mm x 750mm


Photo Credit: Christian Capurro


&#60;img width="2953" height="2010" width_o="2953" height_o="2010" data-src="https://freight.cargo.site/t/original/i/62717b1905f943a97d65f7097a939268be41fdac371cbc317ae40aed08780a42/Jogathon.jpg" data-mid="98528614" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/62717b1905f943a97d65f7097a939268be41fdac371cbc317ae40aed08780a42/Jogathon.jpg" /&#62;












Jogathon 

Projected video, Conical Gallery, Melbourne 2008 


Photo credit: Christian Capurro
&#60;img width="2953" height="1977" width_o="2953" height_o="1977" data-src="https://freight.cargo.site/t/original/i/7bb7738d583569eaf48fa8dc6db546b3774b65b38725e0b569081532fd8e70f0/Spirit---muscle.jpg" data-mid="98528618" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/7bb7738d583569eaf48fa8dc6db546b3774b65b38725e0b569081532fd8e70f0/Spirit---muscle.jpg" /&#62;
Dizzy pupil (left) Spirit &#38;amp; muscle (right)


New ’06 curated by Juliana Engberg, ACCA 2006


Installation view: John Brash





&#60;img width="2953" height="2214" width_o="2953" height_o="2214" data-src="https://freight.cargo.site/t/original/i/b858bff1ae81969348241acfcf9f1b46df7bd333b46be08142bac714ccb1f4c8/Roller-disco.jpg" data-mid="98528615" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b858bff1ae81969348241acfcf9f1b46df7bd333b46be08142bac714ccb1f4c8/Roller-disco.jpg" /&#62;











An occupation 


Curated by Camille Serisier, 2006
Video projection underneath staircase in soon to be demolished house, Melbourne.&#38;nbsp;





&#60;img width="2953" height="1964" width_o="2953" height_o="1964" data-src="https://freight.cargo.site/t/original/i/f3ee1db18bd292034cdcecedb01665eced81f423e3d3fc6d167871c70167d6e3/Stock-exchange.jpg" data-mid="98528619" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/f3ee1db18bd292034cdcecedb01665eced81f423e3d3fc6d167871c70167d6e3/Stock-exchange.jpg" /&#62;
Truth Universally Acknowledged 


Curated by Rebecca Coates, ACCA, Melbourne 2005.&#38;nbsp;Video projection, rear wall. 
Photo Credit: John Brash






&#60;img width="2000" height="3008" width_o="2000" height_o="3008" data-src="https://freight.cargo.site/t/original/i/535f51b12836fcac7021329d3a47e15066feb4ad548bdfeb73bbbe730a73618e/Snap-happy.jpg" data-mid="98810246" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/535f51b12836fcac7021329d3a47e15066feb4ad548bdfeb73bbbe730a73618e/Snap-happy.jpg" /&#62;

Truth Universally Acknowledged


Curated by Rebecca Coates, ACCA, Melbourne 2005. Television monitor imbedded into gallery wall.
Photo Credit: John Brash
&#60;img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/951311286826875d636e0ad71598f7c54b1ba36d754d9977289f6bcfb249d46f/Deep---shallow.jpg" data-mid="98528654" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/951311286826875d636e0ad71598f7c54b1ba36d754d9977289f6bcfb249d46f/Deep---shallow.jpg" /&#62;Make it Modern 


Curated by Juliana Engberg for ACCA, Deloitte Offices, Melbourne 2005


Photo credit: John Brash




















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		<title>Info</title>
				
		<link>https://laresakosloff.com/Info</link>

		<pubDate>Fri, 15 Jan 2021 00:40:26 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

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		<description></description>
		
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		<title>The Bleaching 2024</title>
				
		<link>https://laresakosloff.com/The-Bleaching-2024</link>

		<pubDate>Wed, 13 Nov 2024 23:11:32 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/The-Bleaching-2024</guid>

		<description>


</description>
		
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		<title>New Futures™ 2021</title>
				
		<link>https://laresakosloff.com/New-Futures-2021</link>

		<pubDate>Sun, 08 Aug 2021 13:01:30 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

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New Futures™ 2021
4K video (made from commercial stock footage) 4:38 durationVoice actor: Francis GreensladeSound design: Final SoundMusic: Secession Studios&#38;nbsp;
Shakespeare from Richard 11 (Act 5, Scene 5)
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.


&#60;img width="1045" height="223" width_o="1045" height_o="223" data-src="https://freight.cargo.site/t/original/i/b1e2a454e98b8f6d386d1b2ec424e0389731c566976c302bcceaa941fd1fd834/aca_logo_horizontal_black_medi-543220972c7a1.jpg" data-mid="116544226" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/b1e2a454e98b8f6d386d1b2ec424e0389731c566976c302bcceaa941fd1fd834/aca_logo_horizontal_black_medi-543220972c7a1.jpg" /&#62;
Click here to read ‘With Being Nothing’ essay by Jan Bryant

Click here to read ‘The Paradox of Agency: How to be a Cybernetic Activist in a Post-truth World’ essay by Tyson Yunkaporta</description>
		
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		<title>Radical Acts 2020</title>
				
		<link>https://laresakosloff.com/Radical-Acts-2020</link>

		<pubDate>Thu, 21 Jan 2021 02:43:09 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

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Radical Acts 20204K video (made from commercial stock footage),&#38;nbsp;7:29 durationVoice actress: Jenny SeedsmanSinging: Violet CoCo from Extinction RebellionSound design: Final SoundMusic: Secession Studios&#38;nbsp;
Light Source commission, Buxton Contemporary, The University of Melbourne, 2020
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		<title>La Perruque 2019</title>
				
		<link>https://laresakosloff.com/La-Perruque-2019</link>

		<pubDate>Thu, 21 Jan 2021 02:42:57 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/La-Perruque-2019</guid>

		<description>


La Perruque 2018
4K video (made from commercial stock footage),
4:10 durationVoice actors: Damian Walshe - Howling and Soula Alexander
Sound design: Final Sound


</description>
		
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		<title>Public Announcements 2021</title>
				
		<link>https://laresakosloff.com/Public-Announcements-2021</link>

		<pubDate>Thu, 04 Apr 2024 06:16:32 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/Public-Announcements-2021</guid>

		<description>





Public announcements 2, 2021 Video documentation of audio announcements broadcast between the Arts Centre and Hamer Hall in Naarm. Voice actress: Soula Alexander



A series of 30 recorded audio announcements were broadcast from existing speakers between the Arts Centre and Hamer Hall in Naarm. This work was commissioned by ACCA as part of 'Who's Afraid of Public Space?'.



</description>
		
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		<title>Public Announcements 2017</title>
				
		<link>https://laresakosloff.com/Public-Announcements-2017</link>

		<pubDate>Thu, 21 Jan 2021 02:43:07 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/Public-Announcements-2017</guid>

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Public announcements 1, 2017 Video documentation of audio announcements broadcast at Federation Square Voice actress: Soula Alexander



A series of 21 recorded audio announcements were broadcast from existing speakers at Federation Square in Melbourne, as part of the 2017 Melbourne Prize for Urban Sculpture.



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		<title>Artwork haiku work 2014</title>
				
		<link>https://laresakosloff.com/Artwork-haiku-work-2014</link>

		<pubDate>Thu, 21 Jan 2021 02:45:09 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/Artwork-haiku-work-2014</guid>

		<description>



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Artwork haiku work 2014Collaboration with Jessie BullivantType C photographs mounted on Dibond (series of 16 images) A4 size


Commissioned by Substation gallery, curated by Will Foster


Haiku poems about artworks that Jessie and I have enjoyed. 








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		<title>Eternal situation 2013</title>
				
		<link>https://laresakosloff.com/Eternal-situation-2013</link>

		<pubDate>Thu, 21 Jan 2021 02:46:04 +0000</pubDate>

		<dc:creator>Laresa Kosloff</dc:creator>

		<guid isPermaLink="true">https://laresakosloff.com/Eternal-situation-2013</guid>

		<description>
 &#38;nbsp;


 
Eternal situation 2013HD video, 4:53 durationCommissioned by the AGNSW for 'The space between us: Anne Landa Award for Video and New Media Art'. 
Curated by Charlotte Day, 2013
Click here to read the ‘On Looking at Looking’&#38;nbsp;essay by Rebecca Coates



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