Speaking parts
Narrative overlay / words / saying
︎New Futures™ 2021
︎Radical Acts 2020
︎La Perruque 2018
︎Public Announcements 2021
︎Public Announcements 2017
︎Artwork haiku 2014
︎ Eternal situation 2013
︎The Russian Project 2012
︎The Green Text 2012
Slapstick tactics
Slapstick physicality / site-gags / non-linguistic
︎Head case in point 2019
︎CAST 2011
︎Relative straightness 2008
︎New Diagonal 2007
︎Standard run 2007
︎The Velodrome Project 2006
︎Spirit & Muscle 2006
+ Dizzy pupil 2005
︎ Deep & Shallow 2004
︎Feeling for you 2002
Super 8 films
Movement / gesture / abstraction
︎16 x Super 8 films
About —
My projects are produced on unceded Kulin Nations Country where I work and live.
I work within the mediums of video, audio, Super 8 film, photography, live and recorded performance.
My practice examines various representational strategies, each one linked by an interest in the body and its agency within the everyday. Recurrent themes include humour and tension between received cultural values, individual agency and free will.
I am represented by Sutton Gallery in Melbourne.
Download my 2023 CV here
Installation view of New Futures™ at Benalla Art Gallery as part of PHOTO2024, 23 February - 28 April 2024.
Image: Benalla Art Gallery
Installation view of the Melbourne Now exhibition at The Ian Potter Centre: NGV Australia, Melbourne from 24 March – 20 August 2023.
Image: Sean Fennessy
New Futures™
Video projection, Sutton gallery, Melbourne 2021
Photo credit: Andrew Curtis
Radical Acts
This brittle light: Light Source commissions 2020-2021
Curated by Melissa Keys, Buxton Contemporary, The University of Melbourne
Photo credit: Christian Capurro
This brittle light: Light Source commissions 2020-2021
Curated by Melissa Keys, Buxton Contemporary, The University of Melbourne
Photo credit: Christian Capurro
La Perruque
Guirguis New Art Prize, Ballarat Gallery 2019
Video projection onto free standing wall
Photo credit: Ben Cox
Head case in point
Six Moments in Kingston, curated by David Cross and Cameron Bishop 2019
Large scale LED, St Kilda Football club, Moorabbin
Eternal situation
The Space Between Us: Anne Landa Award for Video and New Media
Curated by Charlotte Day, Art Gallery of New South Wales 2013
CAST
22 framed images, rotating sculpture on a motorized plinth
Monash University Museum of Art 2013
Photo Credit: John Brash
CAST
Anna Schwartz Gallery, Melbourne 2011
Rotating sculpture on a motorized plinth
Photo credit: Andrew Curtis
Office skate
Curated by Juliana Engberg, ACCA 2011
Large scale outdoor projection, Melbourne city square
Last Ride in a Hot Air Balloon: The 4th Auckland Triennial
Curated by Natasha Conland, Artspace, Auckland 2010
Video projected onto acrylic screens and a freestanding wall
Photo credit: Jennifer French
Still Vast Reserves Two
Curated by Emily Cormack, Alexie Glass-Kantor & Chris Sharp, Gertrude Contemporary 2010
Rear video projection, acrylic screen imbedded into the gallery wall, 600mm x 400mm
Photo credit: Christian Capurro
Sensible world
Curated by Reuben Keehan, Artspace, Sydney 2009
Video projected onto suspended acrylic screens, 1200mm x 900mm
Photo credit: Silversalt
New World Records
Curated by Nick Mangan and Helen Johnson, Sutton Gallery, Melbourne 2009
Rear projection onto suspended acrylic screen, 1000mm x 750mm
Photo Credit: Christian Capurro
Jogathon
Projected video, Conical Gallery, Melbourne 2008
Photo credit: Christian Capurro
Dizzy pupil (left) Spirit & muscle (right)
New ’06 curated by Juliana Engberg, ACCA 2006
Installation view: John Brash
An occupation
Curated by Camille Serisier, 2006
Video projection underneath staircase in soon to be demolished house, Melbourne
Truth Universally Acknowledged
Curated by Rebecca Coates, ACCA, Melbourne 2005
Video projection, rear wall
Photo Credit: John Brash
Truth Universally Acknowledged
Curated by Rebecca Coates, ACCA, Melbourne 2005
Television monitor imbedded into gallery wall
Photo Credit: John Brash
Make it Modern
Curated by Juliana Engberg for ACCA, Deloitte Offices, Melbourne 2005
Photo credit: John Brash